“I can’t believe it. A scene now ensued, highly characteristic of the age, and the occasion. He hung over her—he and his loan to her and his connection with her and that terrible evening—a vague, disconcerting possibility of annoyance and exposure. You feel that that smile is for you, the words are for you, the whole song is for you. You look like a movie star. Suddenly he stopped short. ‘I want a word with you, my lad. She found herself again in the presence of some element in life about which she had been trained not to think, about which she was perhaps instinctively indisposed to think; something which jarred, in spite of all her mental resistance, with all her preconceptions of a clean and courageous girl walking out from Morningside Park as one walks out of a cell into a free and spacious world.
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