"I must have dropped it when I took out my note-book. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. "Weep on, reprobate," cried the carpenter, a little softened. "Get it over quickly," said Trenchard, in a whisper to the thief-taker. Conscience was always digging sudden pits for his feet and common sense ridiculing his fears. Satisfied with his scrutiny, he returned, despatched Abraham and Obadiah to the northwest corner of the church, placed Quilt behind a buttress near the porch, and sheltered himself behind one of the mighty elms. He went into the study and sat down at his table, but not to write. His glasses were gone. Perhaps that was the reason why she enjoyed preparing suppers at the Becks. \"What's in there?\" Lucy asked.
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