I don’t want you to be sad. Constance Widgett’s abundant copper-red hair was bent down over some dimly remunerative work—stencilling in colors upon rough, white material—at a kitchen table she had dragged up-stairs for the purpose, while on her bed there was seated a slender lady of thirty or so in a dingy green dress, whom Constance had introduced with a wave of her hand as Miss Miniver. ’ She allowed herself to be pulled to the centre of the room, but uttered in a low tone, full of suppressed anxiety, ‘How can he know? How can he know?’ ‘You mean how can he know that this is your house?’ Melusine looked up at him, distress in her eyes.
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