The stage manager reappeared presently, and made a speech. She battled with a deadly faintness, and she tottered rather than walked back to her seat. She was never able to trace the changes her attitude had undergone, from the time when she believed herself to be the pampered Queen of Fortune, the crown of a good man’s love (and secretly, but nobly, worshipping some one else), to the time when she realized she was in fact just a mannequin for her lover’s imagination, and that he cared no more for the realities of her being, for the things she felt and desired, for the passions and dreams that might move her, than a child cares for the sawdust in its doll. Once he had managed to stake his claim, she would have all to do to prove her identity and win it back. Nothing else so quickly establishes the condition of comradeship as the sharing of a laughable incident.
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