“Your coffee’s too good to refuse. It seems that he was a sort of family friend of the Pellissiers, and it was the artist sister whom he was with. The London backgrounds, in Bloomsbury and Marylebone, against which these people went to and fro, took on, by reason of their gray facades, their implacably respectable windows and window-blinds, their reiterated unmeaning iron railings, a stronger and stronger suggestion of the flavor of her father at his most obdurate phase, and of all that she felt herself fighting against. What you want to do is to imagine every woman a Becky Sharp and every man a Rawdon Crawley.
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