’ Melusine rose from her chair in sudden irritation. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. He took into his soul some of the father's misery, some of the daughter's, to mingle with his own. Believe me, Anna. For five minutes he has been trying to think of something to say.
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